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“引领风骚”北京索卡十年

 
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生活之美,藝術之樂

    北京索卡十年了。

    能走過十年的畫廊,在北京少之又少,北京索卡有幸見證藝術市場在這十年發展的成長,也見證了中國藝術從沒有到繁榮,確實不易。此次”引領風騷-北京索卡十年”,我們以回顧歷史與開啟未來兩部份,準備了許多精彩的作品來感謝支援北京索卡的好友們。

    在回顧歷史的部份,以二十世紀大師為主線,有安迪沃荷(Andy Warhol)精彩的兩件作品,<戴安娜王妃>與<查理斯王子>,這兩件作品為藝術家1982年所作,當時為慶祝這對王子與公主童話婚姻,以他們的結婚照為樣本創作,當時藝術家創作完這件作品後,便出發前往北京,在天安門前留下身影,巧合的是在將近20年後的今日,這件作品來到北京,長期住下,也是東西藝術史上美麗的巧合。1960年早期草間彌生(Yayoi Kusama)的<無線網>也是非常難得且重要的作品,這件作品為藝術家初赴紐約時的創作,相當稀少。以無限延伸的網發展,創造出觀者被畫面迷住的視覺力量,這件作品可看出後來草間彌生作品發展的風格原型。

    中國第一代油畫家在索卡找到了棲息的避風港,此次展覽,我們別出用心選出最具代表的中國第一代留歐藝術家作品,以系列展出。第一代留法藝術家林風眠的<山村>為早期林風眠風景創作的精品。秦宣夫的<掃雪>, 畫中人物在雪後小徑中輕快的筆觸,展現了秦宣夫晚期知天命的豁達心態。同樣亦是第一代留法藝術家周碧初的<馬拉比火山>,為藝術家印尼時期的創作,以彩虹般燦爛的顏色,描畫熱帶風情的輕鬆自在,有如周碧初對藝術的滿腔的熱情般。留比利時藝術家戴秉心的<自畫像>,自畫像為每個藝術家最能表現自己的代表,有如林布蘭特喜歡畫自畫像般,畫中的戴老眉頭深鎖,流露出藝術家對當時藝術狀況的困頓與苦思,唯有透過藝術教育讓自己的理想才能飛展。這之中,我們特別展出幾件畫廊收藏的重要作品,也代表索卡在藝術上的執著與品味,有劉野音樂人物系列的<鄧麗君>,有趙無極七ㄧ年的精品,都是證明北京索卡對於好作品的堅持與收藏實力。

    開啟未來的部份,展覽特別以合作藝術家為主線,展出曾經參與過索卡展覽的藝術家們,包括有孫雲台,俞曉夫,楊劍平,王向明,季大純,河上·高惠君,尹齊,包忠,楊靜,與未來將與我們繼續共同的努力的藝術家,有西南藝術研究群體為首的毛旭輝,有東北美術代表的王易罡,有被喻為趙無極接班人的洪淩,以及北京索卡的新秀種子,來自魯迅美院的趙博,雲南大學的荀貴品,臺灣的馬君輔與曾聖惠。

    十年一覺美術夢,十年對於人的生命而言還很短暫,北京索卡將以更虛心與力求上進的精神,繼續往前為收藏家與藝術家服務,做更好的展覽,推廣美的生活與欣賞藝術的樂趣,我們會不斷努力,繼續讓北京索卡成為代表生活之美與藝術之樂的最高品牌。

    蕭富元

    2011.9 中秋於北京

    The Beauty of Life & the Joy of Art

    Soka Art Beijing is ten years old.

    As one of rare galleries existing in Beijing for ten years, Soka Art Beijing witnessed the growth of art market as well as the great change of Chinese art in the ten years. In this exhibition, Commemoration ---10th Anniversary of Soka Art Beijing, many remarkable works will be shown in the two parts, Memories of the Past and Windows to the Future.

    The Memories of the Past is focused on the art masters in the twentieth century. Andy Warhol's two paintings Princess Diana and Prince Charles were finished in 1982 for celebrating the household romantic marriage. After the works, Warhol came to Beijing and took a photo in Tiananmen Square. Coincidentally, the two paintings also come to Beijing after twenty years, witnessing an impressive marvel in the history of western and eastern art. Another important works is Yayoi Kusama's Infinity Nets finished in New York as the prototype of her art style, fascinating viewers by infinite stretched nets.

    The first generation of Chinese oil painters got the harbor in Soka. In this exhibition, we display a series of works by the representative artists who studied earliest in Europe. The Village is Lin Fengmian's landscape masterpiece in early days. In Qin Xuanfu's Cleaning Snow, the painter's open-minded life at the age of fifties is seen from the lively figures in the painting. Zhou Bichu's Indonesia Volcano shows us a colorful picture of tropical scenery just like the painter's enthusiasm. Self-portrait is most representative of the painter, like Rembrandt. Dai Bingxin's Self-portrait, a frowned old man, shows the painter's weary and worries at the condition of art and his goal of art for art education. We also exhibit some important collections representing Soka's special taste of art and perseverant pursuit of outstanding art, such as Liu Ye's musician series Deng Lijun and Zao Wou-Ki's collections in 1971.

    In the Window to the Future, we exhibit, on one hand, the works of the cooperated artists who made exhibitions at Soka, such as Sun Yuntai, Yu Xiaofu, Yang Jianping, Wang Xiangming, Ji Dachun, Gao Huijun, Yin Qi, Bao Zhong and Yang Jing; on the other hand, the works of artists who are going to cooperate with Soka, such as Mao Xuhui, the representative of southwest art research, Wang Yigang, the representative of northeast art, Hong Ling, called the successor of Zhao Wuji, and the emerging artists at Soka including Zhao Bo from Luxun Academy of Fine Arts, Xu Guipin from Yun Nan University, Ma Junfu and Zeng Shenghui from Taiwan.

    Ten years of art pursuit is only a short span of life. Soka Art Beijing will continue to make sincere and further effort to provide service for collectors and artists, and hold more exhibitions for people to enjoy the beauty of life and joy of art at the Palace of Art--- Soka Art Beijing.

    By Hsiao Fu-yuan, at Mid-Autumn Festival

    Beijing, Sep.2011

责任编辑:大鹏

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